Interbeing and Slow Movement: What My Grandfather Knew
Slow down like clouds unfurling lazily across the valley, flirting with the wind.
The hallmark of our modern life is a faster and faster tempo, leaving no room for the body to digest and integrate our experience. The simplest way to step off the hamster wheel of a modern pace is to practice slow movements.
Slow movement is a radical act in our modern era.
S L O W
D O W N.
Slow down like clouds unfurling lazily across the valley, flirting with the wind.
Slow down like sea grass swaying in the water, dancing with dappled light.
Slow movement is an alchemy between the Yang of movement and Yin of stillness. It requires a delicate balance between control and release. As the Yin and Yang interact and alchemize Qi, life energy, starts to generate within the meridians and revitalize the physical body. That is why the hallmarks of Qigong practices are slow, deliberate movements that undulate with breath.
You will be amazed how much your body can remember its natural intelligence by simply slowing down the movement tempo so your awareness can find its way back into the finer resolution of the body.
When I was five, I lived with my grandpa in Tianjin, eighty miles away from Beijing. At that time, life started to speed up in China as large-scale industrialization and consumerism started to spread. My grandpa, however, refused to speed up. He is a man with a heavy frame. He did slow movements of Tai Chi in the morning, despite young boys running by him and laughing at him. At that time, Tai Chi, among other traditional cultural practices carried a shameful stigma due to the westernization and colonization mentality.
My grandpa always walked at a slow, deliberate pace his whole life, with a mountain-like dignity. He even walked that way when crossing the road, causing cars to stop and wait for him. This was during a time when there weren’t too many cars on the road yet, and no one even dreamt about owning private vehicles.
I remember feeling protective of Grandpa and wanting to shield him from other’s disparaging looks. I also didn’t understand what my grandpa was doing. Everyone else is running. People are concerned about being stronger and faster. Yet my grandpa waved his hands mysteriously like clouds floating in the mountain, quietly rising, and falling.
Years later, when I turned 18, I followed my grandpa’s path and started doing Tai Chi, which has accompanied my entire life. These slow, gentle, and water-like movements become a clear pool of water, providing nourishment and regeneration when I feel burnt by the hamster wheel of modern life. My practice became a sanctuary where I can nestle next to my grandpa’s mountain-like body.
Body As Living Inter-Being: What Grandpa Knew
An ecological system is a living Inter-Being. It is an ongoing symphony of the birth, death and transformation of many life forms within itself. The life cycles of different living beings coordinate and attune with one another to create harmony. In this harmony, one species may have the privilege of extracting resources from another for consumption, such as lions from deer. However, in nature, these extractions are kept in strict equilibrium, and all species are provided with ample resources to thrive. It is in human civilization the act of extraction becomes exorbitant and cancerous.
To restore the equilibrium of human consciousness, the most ethical and effective action is to start with our own conscious awareness, embodying the principle of ecological balance within our own being.
The most prevalent modern archetype is a person whose “left-brain centered, analytical, logical mental faculty” is fixated at extracting resources from other intelligence centers, incapable of receiving and listening what his gut’s and heart’s, or even toe’s intelligence has to say. In doing so, he reduces his body to a “thing”.
Our body is not a “thing”. It is also a symphony of many different types of cellular structures, organs, and physiological systems. A healthy body is like a music director, coordinating different “instruments” (physiological organs and systems, and their complex needs), composing harmony, solos and chorus over a dazzling array of functionality, including self-restoration and self-regeneration.
When disease occurs, Chinese medicine examines the relationship between vital organs rather than fixing on the site of the symptoms. For example, when someone coughs, the doctor will not only treat the lung, but also examine how the lung relates with other organs, inquiring whether this cough is due to kidney deficiency, liver overacting, spleen deficiency, or gall bladder fire.
Our modern culture tends to condition us to relate our body as a “thing”, or a mechanical device. A car cannot fix itself. A body can. Allopathic medicine treats the body more like a broken car that needs replacement parts. It excels at surgical technology, which is very appreciated and needed in a modern context. However, many of its treatments gravely harm and suppress our body’s natural healing ability.
Holistic medicine focuses on evoking and supporting the intelligence of the body so it can restore its own health. As regenerative health practitioners, the more we can relate with our own body as an organic system with its own intelligence, the more we can evoke that intelligence from our patient’s body. We need to decolonize ourselves from the cultural conditions that train us to relate our body as a “thing”.
In modern life, our lifestyle tends to be sedentary, with limited exposure to nature and playful and creative activities that involve the body. As a result, our posture and movements often rigidify to the patterns of mechanical things. We tend to fixate our awareness of the body in certain patterns, creating rigidity and tension, constraints, and weakness in our body. Our body parts become isolated in their own rigid patterns, not able to coordinate with one another.
In Dancing Tao, we free our awareness from the rigid patterns. We re-condition our body to move in playful and creative ways. We move in ways that are “outside the box”. When we do that, we can restore Qi, the natural flow of energy in our body, which will lead us to be more effective healers.
In Dancing Tao, we practice leading the movement of our bodies with our hands, head, core, tailbone and feet. When one part of the body is the leader, the rest of the body follows.
As you practice Dancing Tao, you may discover that you may be more comfortable leading with certain parts of your body than others, for example maybe hands more than feet, head more than tail. Notice these patterns, enjoy them! And also, be curious: what’s it like to lead with my feet or my tailbone? Start with baby steps first. No need to push or force your body.
You may also discover that following a movement initiated by a body part is not that easy. For example, can you initiate a movement with your tailbone and your head following it? In our most natural and enlivened state, each part of the body will have maximal flexibility to either lead or follow.
In Chinese, the character body consists of two parts. The left is a radical that means a human. The right part means “original”. Together, this means our body is a sacred vehicle of our origin, our ancestral legacy, and who we always are. It is the basecamp and home that welcome us to return as we go on our journey to explore and realize our potentials.
May you reunite with the Inter-Being that lives in your body. May you reunite with the origin of yourself. The more we are in tuned with Origin, the home base, the further we can travel in our journey afar, while having a blast!